Showing posts with label Sculpture. Show all posts
Showing posts with label Sculpture. Show all posts

Benedetta Mori Ubaldini "Wire Work"

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Sometimes I find things that make me gasp, the wire work of Benedetta Mori Ubaldini, certainly has that effect. It is ghostly and magical in its evocation of myth and fairytale, I particularly like it in the white gallery spaces.


Jean-Luc Cornec's Telephone Sheep

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Underwater Sculpture (Jason deCaires Taylor )

“Jason deCaires Taylor was born in 1974 to an English father and Guyanese mother, spending the earlier part of his life growing up in Europe, Asia and the Caribbean. Educated in South East England, he graduated in 1998 from Camberwell College of Arts, University of the Arts London, with a B.A.Honours in Sculpture and Ceramics. He is also a fully qualified diving instructor, underwater naturalist and award winning underwater photographer, with over 14 years of diving experience in various countries.

In May 2006 he gained international recognition for creating the world’s first underwater sculpture park in Grenada, West Indies. His underwater sculptures, designed to create artificial reefs for marine life to colonise and inhabit, embrace the transformations wrought by ecological processes. The works engage with a vision of the possibilities of a sustainable future, portraying human intervention as positive and affirmative. Drawing on the tradition of figurative imagery, the aim of Jason de Caires Taylor’s work is to address a wide-ranging audience crucial for highlighting environmental issues beyond the confines of the art world. However, fundamental to understanding his work is that it embodies the hope and optimism of a regenerative, transformative Nature.

The sculptures are sited in clear shallow waters to afford easy access by divers, snorkellers and those in glass-bottomed boats. Viewers are invited to discover the beauty of our underwater planet and to appreciate the processes of reef evolution.

Jason is currently resident in Mexico as Artistic Director of the new Cancun Underwater Museum.”  (bio from artist website)

Vigeland Sculpture Park (Gustav Vigeland )

      Vigeland Sculpture Park

One of the artistic highlights of Norway is the Sculpture Park in Oslo. The park contains 192 sculptures with more than 600 figures, all modeled in full size by Gustav Vigeland without the assistance of pupils or other artists. Vigeland also designed the architectural setting and the layout of the grounds.
The initial point of the park sculptures was the Fountain. A model was presented in 1907 to the city counsel and Gustav Vigeland was commissioned to make a Fountain. But as the time passed and not enough money was raised yet, Vigeland added many more sculptures to the project - granite sculptures that eventually were placed around the later Monolith. In 1924, the City of Oslo decided that the whole project should be fulfilled in the Frogner Park, later called Vigeland Park. In 1931 followed a renewal of the bridge over the Frogner ponds with the addition of numerous sculptures on the parapets and grounds. For the rest of his life, Vigeland continued to model new sculptures for the park until his death in 1943.

 Gustav Vigeland was born in 1869 in the south-coast town of Mandal in Norway. Vigeland's artistic talents were first revealed in his drawings and woodcarvings and at the age of fifteen, his father took him to Oslo to apprentice him to a master. The death of his father only two years later forced Vigeland to return to Mandal and relinquish all hopes of becoming a sculptor. In 1888, Vigeland was again back in the capital, this time taking with him a bundle of sketches for statues, groups and reliefs, their motifs mostly deriving from Greek mythology and the Bible. The sculptor, Brynjulf Bergslien, impressed by his drawings, took him into his studio and gave him his first practical training.
The work of Auguste Rodin, seen by Vigeland on visits to the artist's studio in Paris, made a perceptible impact. Rodin's intimate treatment of his relationship between man and woman was also influential in Vigeland's life-long development of this theme.
"I was a sculptor before I was born. I was driven and lashed onward by powerful forces outside myself. There was no other path, and no matter how hard I might have tried to find one, I would have been forced back again."


Laurence Ruet

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