Showing posts with label Installation art. Show all posts
Showing posts with label Installation art. Show all posts

JeeYoung Lee

Lee JeeYoung Né / Born : Korea, 1983
Vit et travaille / Lives and works : Seoul, South Korea

Recently graduated from Seoul’s Hongik University in her native South Korea, JeeYoung Lee shoots the invisible. Whereas traditional photography submits extracts of reality to our eyes, the artist offers excerpts from her heart, her memory, or her dreams. Restrained by the inherent limits of the conventional photographic medium, she adds plastic creativity and theatrical performance to it, in order to blow life into her immense needs of expression, and interrogation.

For weeks , sometimes months, she creates the fabric of a universe born from her mind within the confines of her 3 x 6 m studio. She does so with infinite minutiae and extraordinary patience, in order to exclude any ulterior photographic alteration. Thus materialised, these worlds turn real and concretise : imagination reverts to the tangible and the photo imagery of such fiction testify as to their reality.  In the midst of each of these sets stands the artist : those self-portraits however are never frontal, since it is never her visual aspect she shows, but rather her quest for an identity, her desires and her frame of mind. Her imaginary is a catharsis which allows her to accept social repression and  frustrations. The moment required to set the stage gives her time to meditate about the causes of her interior conflicts and hence exorcise them; once experienced, they in turn become portents of hope.



Recipient of multiple artistic awards including the Sovereign Art Prize (2012), JeeYoung Lee is one the the most promising up-and-rising figureheads of the younger Korean artistic world. Her Photographs have already found their way into public collections such as th Kyoto Photographic Museum in Japan, the Incheon Foundation for Art and Culture, or even Seoul’s OCI Museum.











Gottfried Helnwein

  For More Information >>http://www.helnwein.com/


Gottfried Helnwein (born October 8, 1948 in Vienna) is an Austrian-Irish fine artist, painter, photographer, installation and performance artist.






Helnwein studied at the University of Visual Art in Vienna (Akademie der Bildenden Künste, Wien). He was awarded the Master-class prize (Meisterschulpreis) of the University of Visual Art, Vienna, the Kardinal-König prize and the Theodor-Körner prize.

He has worked as a painter, draftsman, photographer, muralist, sculptor, installation- and performance artist, using a wide variety of techniques and media.

His early work consists mainly of hyper-realistic watercolors, depicting wounded children, as well as performances - often with children - in public spaces. Helnwein is concerned primarily with psychological and sociological anxiety, historical issues and political topics. As a result of this, his work is often considered provocative and controversial.

Viennese-born Helnwein is part of a tradition going back to the 18th century, to which Messerschmidt's grimacing sculptures belong. One sees, too, the common ground of his works with those of Hermann Nitsch and Rudolf Schwarzkogler, two other Viennese, who display their own bodies in the frame of reference of injury, pain, and death. One can also see this fascination for body language goes back to the expressive gesture in the work of Egon Schiele


perfect  artist .love love Gottfried!

Agnès Varda



Agnès Varda is a photographer, film director and a Paris-based key figure in modern film history and one of the world's leading filmmakers. Agnès Varda is a Professor of Film and Documentaries at the European Graduate School (EGS). She was born on May 30th, 1928 in Ixelles, Belgium, with the slightly different name of Arlette Varda





Filmography

Pointe Courte (1954) 89 mins
O Saisons, O Châteaux (1957) 22 mins
L’Opéra-Mouffe (1958) 17 mins
Côté de la côte (1958) 24 mins
Cléo de 5 à 7 (Cléo from 5 to 7) (1961) 90 mins
Salut les Cubains (1963) 30 mins
Le Bonheur (Happiness) (1964) 82 mins
Enfants du Musée (1964) 7 mins
La Rose (1966) 20 mins
Créatures (1966) 105 mins
Uncle Yanco (1967) 22 mins
Loin du Vietnam (in collaboration with other directors, 1967)
Panthers (1968) 28 mins
Love (…and Lies) (1969) 110 mins
Nuasicaa (1970) 90 mins [Vanished]
Daguerréotypes (documentary, 1975) 80 mins
Réponse de femmes (1975) 8 mins
Plaisir d’amour en Iran (1976) 6 mins
Une chante, l’autre pas (One Sings, the Other Doesn’t) (1976) 120 mins
Femmes Bulles (video, 1977) 58 mins, video
Murs (Mural Murals) (documentary, 1980) 81 mins
Documenteur (An Emotion Picture) (1981) 63 mins
Ulysse (1982) 22 mins
Minute pour une image (1982) 170 two-minute spots for television
Dites Caryatides (1984) 13 mins
Cuis., s. de b… (1984) 27 mins
Toit ni loi (Vagabond) (1985) 105 mins
Winner of Grand Priz at Venice Film Festival

De beaux escaliers, tu sais… (1986) 3 mins
B. par Agnès V. (1987) 97 mins
Kung-fu Master (Le Petit Amour) (1987) 78 mins
Jacquot de Nantes (Jacquot) (1990) 118 mins
Demoiselles ont eu 25 ans (The Young Girls Turned 25) (documentary, 1992) 63 mins
Cent et une nuits (One Hundred and One Nights) (1994) 100 mins, made for the centennial of cinema
L’Univers de Jacques Demy (The World of Jacques Demy) (documentary, 1995) 90 mins
Les Glaneurs et la glaneuse (The Gleaners and I) (documentary, 2000) 82 mins
Winner of Best Documentary of 2001:
-National Society of Film Critics
-New York Film Critics Circle
-Chicago International Film Festival
-Los Angeles Film Critics Association
-New York Film Critics Online

Le Lion volatil (2003) 12 mins
Cinevardaphoto (2004)